| | Creative Ideas Plays | | | Market Fit | |
| | | | | | ACTING UP | By: Ken Bradbury | (: 8-10 ; : 2 , 2 ; : ) | An over-zealous actor tries to get a job — any job — from an agent. |
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| | | | | THE ADDRESS LABEL | By: Robert L. Crowe | (: 6-9 ; : 2 , 2 ; : ) | Have you ever been transferred from department to department with no end in sight? Well it could be worse. They could all be the same person. This frustrated customer is in for the biggest customer service merry-go-round ever. |
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| | | | | | | | | AIR FREIDA | By: Ken Bradbury | (: 8-10 ; : 2 , 2 ) | Small town Freida takes on an international airline. The rest of the world must adjust to her ideas as to how a flight should be run. |
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| | | | | THE ALL-AMERICAN FAMILY | By: Ken Bradbury | (: 10 ; : 2 , 2 , 1 , 5 ; : ) | This is a family odyssey across a few hundred years of American history. The history books don’t quite tell it this way. |
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| | | | | AN HOUR TO IMPACT | By: Ken Bradbury, Robert L. Crowe | (: 120 ; : 10-86 , 10-86 ; : , ) | This two-act play is a combination of comedy and drama material. In Act One, the narrator takes us on a variety of journeys such as a dramatic encounter, a humorous look at a mountain man’s pet dog, and a variation on a children’s story. There are five different scenes. The Second Act is a wide sweep review of the history of mankind. Characters can be combined. |
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| | | | | | | | | ARE WE THERE YET? | By: Ken Bradbury, Robert L. Crowe | (: 120 ; : 41 , 41 ; : , ) | This play has two acts with 14 scenes. Scene locations include among others a movie theatre, a campsite, London and a spaceship. The number in the cast can be easily adjusted by having actors play multiple characters. Some parts can be played by either male or female. |
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| | | | | ACT AUD BIR BUS CAT CLI COW DAY DIS DRU EXT FEE FOU
GIA GON GRA GRO HAP HEY HOL I D IN JUS LIG MAK MOR
NEW ON ORD PHA PUP RID SAN SIS SPA STO T-K THA THI
TRI UP, WEE WID WOR Next | |
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